After Callie meets Sara, the two unexpectedly fall in love. Their first kiss provokes a violent attack that transforms their lives in a way they could never anticipate. An angry bystander attacks Sara in a violent hate-crime after which she falls into a coma. This heartfelt story is told out of chronological order as we watch the relationship between Callie and Sara at both before and after this horrific act.
Show Tickets
Friday, March 27
Doors @7:30 PM, Show at 8:00 PM
Saturday, March 28
Doors @7:30 PM, Show at 8:00 PM
Sunday, March 29
Doors @1:30 PM, Show at 2:00 PM
Friday, April 3
Doors @7:30 PM, Show at 8:00 PM
Saturday, April 4
Doors @7:30 PM, Show at 8:00 PM
Friday, April 10
Doors @7:30 PM, Show at 8:00 PM
Saturday, April 11
Doors @7:30 PM, Show at 8:00 PM
Sunday, April 12
Doors @1:30 PM, Show at 2:00 PM
Friday, April 17
Doors @7:30 PM, Show at 8:00 PM
Saturday, April 18
Doors @7:30 PM, Show at 8:00 PM
Sunday, April 19
Doors @1:30 PM, Show at 2:00 PM
Friday, April 24
Doors @7:30 PM, Show at 8:00 PM
Saturday, April 25
Doors @7:30 PM, Show at 8:00 PM
Cast List
Role – Gabby Armstrong (she/they)
Role – Kelsey Williams (she/her)
Role – Aspen Rains (he/they)
Role – Sho T. Hurt (he/they)
Role – Lisa Dillon (she/her)
Role – Karl Osladil (he/him)
Crew List
Director – Noah Pratt (they/them)
Director – Sunny Crego (they/them)
Stage Manager – Holly Zink (they/she)
Lighting Operator – Human Person (pronoun/pronoun)
Scenic Design – Human Person (pronoun/pronoun)
Scenic Design – Human Person (pronoun/pronoun)
Special Thanks
STOP KISS is presented by arrangement with Concord Theatricals on behalf of Dramatists Play Service. www.concordtheatricals.com.
Original New York Production by The New York Shakespeare Festival, George C. Wolfe, Producer. This play was written with support from Playwrights Horizons made possible in part by funds granted to the author through a program sponsored by Amblin Entertainment, Inc.
RECORDING NOTICE: THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: https://concordtheatricals.com/resources/protecting-artists